Fantasy’s Inability to Overcome Reality Essay

Although Williamss protagonist in A Streetcar Named intrust is the romantic Blanche DuBois, the play is a work of accessible realism. Blanche explains to Mitch that she fibs because she refuses to accept the hand fate has dealt her. Lying to herself and to others allows her to kick in life appear as it should be sort of than as it is. Stanley, a practical man unwaveringly grounded in the physical humanness, disdains Blanches fabrications and does everything he evict to unravel them. The antagonistic relationship between Blanche and Stanley is a struggle between appearances and reality.It propels the plays dapple and creates an everyplacearching tension. Ultimately, Blanches attempts to remake her own and Stellas existences? to rejuvenate her life and to save Stella from a life with Stanley? fail. iodine of the main ways Williams dramatizes envisages softness to over get laid reality is through an exploration of the landmark between exterior and interior. The set of the p lay consists of the two-room Kowalski flat and the surrounding street. Williamss use of a waxy set that allows the street to be seen at the alike time as the interior of the home expresses the stamp that the home is not a domestic sanctuary.The Kowalskis flat tire cannot be a self-defined world that is impermeable to great reality. The characters establish and enter the apartment throughout the play, a good deal bringing with them the problems they encounter in the larger environment. For example, Blanche refuses to leave her prejudices against the working class behind her at the door. The nearly notable instance of this effect occurs just in the first place Stanley rapes Blanche, when the back wall of the apartment becomes transparent to fork out the struggles occurring on the street, foreshadowing the violation that is about to receive place in the Kowalskis home.Though reality triumphs over fantasy in A Streetcar Named Desire, Williams suggests that fantasy is an impor tant and useful tool. At the end of the play, Blanches retreat into her own private fantasies enables her to partially resistance herself from realitys harsh blows. Blanches craziness emerges as she retreats fully into herself, leaving the objective world behind in order to avoid pass judgment reality. In order to escape fully, however, Blanche must come to perceive the exterior world as that which she imagines in her head.Thus, objective reality is not an antidote to Blanches fantasy world rather, Blanche adapts the exterior world to mark her delusions. In both the physical and the psychological realms, the edge between fantasy and reality is permeable. Blanches final, deluded cheer suggests that, to some extent, fantasy is a vital trace at play in every man-to-mans experience, despite realitys inescapable triumph.